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DTSTART;VALUE=DATE:20180315
DTEND;VALUE=DATE:20180316
DTSTAMP:20260409T073447
CREATED:20180315T164637Z
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SUMMARY:Beverly Fishman "Chemical Sublime" * Kavi Gupta Gallery
DESCRIPTION:Beverly Fishman\, CHEMICAL SUBLIME\n02.24.2018 — 04.28.2018 \n\n\n\n835 W. Washington Boulevard\nChicago\, IL 60607\n\n\n\n\n\n(312) 432-0708\ninfo@kavigupta.com\nwww.kavigupta.com\nTues. – Fri.\, 10am-6pm; Sat\, 11am-5pm\n\n\n\nKavi Gupta is pleased to present CHEMICAL SUBLIME\, a solo exhibition of original work by Beverly Fishman.  \nCombining the handmade with the industrial\, Fishman employs a variety of techniques to explore technological\, scientific\, and biological systems of perception and representation\, instigating constructive conversations about the ways people see their bodies and minds\, and construct their identities. Her most illustrious bodies of work engage with the visual language of the medical industrial complex. For example\, her highly-polished Pill reliefs utilize iconic pharmaceutical forms as the basis for seemingly abstract compositions that radiate with color. Her brilliantly complex Dividosepaintings appropriate the unsettling\, multilayered\, linear aesthetic of medical imaging technologies such as EEG and EKG machines\, provoking levels of optical fascination capable of eliciting physiological responses from viewers. \nThough seemingly direct\, Fishman’s work is daringly open. It poetically kindles the most pressing issues of our time: how humanity sees itself and allows itself to be seen; the extent to which technology alters our perception of ourselves; the choices we face whether to alter our reality or to alter our experience of it. Equally important to its meaning are its formal aspects: its juxtaposition of colors and patterns; its evocative art historical references; its oscillation between abstraction and representation. Of constant primacy is the work’s undeniable exactitude of craft\, which elevates its physical presence to heights equal to its enigmatic conceptual depth. \nFishman has relentlessly sought out new materials and processes in order to realize her evolving vision. That search has occasionally yielded opportunities to pioneer new production techniques\, always in service to the concepts she is exploring. Her materials list has included traditional supports such as wood\, paper\, blown glass and aluminum\, as well as more unconventional elements like cast resin\, mirrored Plexiglass\, powder-coated metal and phosphorescent pigments. She also frequently uses mediums like chrome and urethane automotive paint that speak in conversation with the legacy of the Detroit area\, where she has lived and worked as the Artist-in-Residence and Head of the Painting Department of the Cranbrook Academy of Art since 1992. \nSince earning her MFA from Yale in 1980\, Fishman has received multiple prestigious awards\, including a John Simon Guggenheim Memorial Foundation Fellowship\, the Louis Comfort Tiffany Foundation Award\, and an NEA Fellowship Grant. Her work has been written about extensively in the press\, including in The New York Times\, Art21 Magazine\, Hyperallergic\, Art Critical and Juxtapose. Her recent solo exhibitions include DOSE\, curated by Nick Cave\, at the CUE Art Foundation\, New York\, NY\, Pill Spill\, at the Detroit Institute of Art\, Detroit\, MI\, and Pharmako\, at Galerie Richard\, Paris\, France. \nWork by Fishman is included in multiple private and institutional collections\, including that of the Miami Art Museum\, the MacArthur Foundation\, Alfred Taubman\, the Detroit Institute of Arts\, the Columbus Museum of Art\, The Kresge Art Museum\, and the Istanbul Art Centre.
URL:https://www.artbeatmagazine.com/event/beverly-fishman-chemical-sublime-kavi-gupta-gallery/
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DTSTART;VALUE=DATE:20180315
DTEND;VALUE=DATE:20180316
DTSTAMP:20260409T073447
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LAST-MODIFIED:20180315T164738Z
UID:1992-1521072000-1521158399@www.artbeatmagazine.com
SUMMARY:Shane Huffman - Photography - 65Grand Gallery - Chicago
DESCRIPTION:Shane Huffman\nThe Mediums of Photography at play on Material as Apparatus as Man as HOL\, or The Fluctuating Fears of what the Law of Conservation of Energy Implies\n\n\n\n\n\nThrough March 24\, 2018\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n  \n\n\n\n3252 W. North Avenue\nChicago\, IL 60647\n\n\n\n\n\n(312) 719-4325\ninfo@65grand.com\nwww.65grand.com\nThurs.\, 6-9pm; Fri.\, Sat.; 12-6pm\n\n\n\n 
URL:https://www.artbeatmagazine.com/event/shane-huffman-photography-65grand-gallery-chicago/
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180315
DTEND;VALUE=DATE:20180316
DTSTAMP:20260409T073447
CREATED:20180315T164348Z
LAST-MODIFIED:20180315T164706Z
UID:1994-1521072000-1521158399@www.artbeatmagazine.com
SUMMARY:Kate Gilmore "Morning Rage" - ASPECT / RATIO Projects Gallery
DESCRIPTION:MORNING RAGE: \nKATE GILMORE \n02.23.2018 – 04.07.2018 \n~ \n\n\n\nAspect/Ratio is pleased to present Morning Rage\, the first Chicago solo exhibition for artist Kate Gilmore. \nMorning Rage will introduce new sculptural works\, as well as the single channel video Beat It. This video was part of an installation and performance created for the H & R Block Space in Kansas City\, Missouri. Michael Jackson’s famous 80’s hit song title is appropriated here\, while the video unfolds through an oculus in the sculpture taken from a fixed camera stationed overhead. Throughout the video\, the walls of the installation are being dismantled and reconfigured to reveal a series of stenciled text that reads: ‘beat it\,’ repeated over and over. \nThrough the use of repetition and performance\, much of Gilmore’s practice demonstrates a resolute transformative process that comes out of destruction. Destruction and dexterity are arsenal for the artist who consistently goes well beyond the limitations of what material is generally prepared to endure. It is with this prowess and fervor that fuel her latest sculptural works. Highly lacquered metal cubes are hammered continuously\, creating scars and dismantling their otherwise polished appearance. \nKate Gilmore is a New York multimedia based artist and Associate Professor of Art and Design at Purchase College at SUNY Purchase. Gilmore received her MFA from the School of Visual Arts and Bachelors from Bates College. Her work has been shown at numerous institutions including: Museum of Modern Art\, MCA Chicago\, San Francisco Museum of Modern Art\, Brooklyn Museum\, ICA Philadelphia and The Rose Art Museum. Notable exhibitions and awards include: The Art Prize 2015; the Whitney Biennial 2010; The Moscow Biennial\, Moscow; and PS1 Greater New York 2005 & 2010. Gilmore’s work is included in many public institutional collections: Museum of Modern Art\, New York; Brooklyn Museum\, Brooklyn\, New York; Whitney Museum of American Art\, New York\, NY; Museum of Fine Arts\, Boston\, Massachusetts; San Francisco Museum of Modern Art\, San Francisco\, California; Rose Art Museum\, Waltham\, Massachusetts; Indianapolis Museum of Art\, Indiana\, Indianapolis; and Museum of Contemporary Art\, Chicago\, Illinois. \n\n\n\nASPECT / RATIO \n864 N. Ashland Avenue\nChicago\, IL 60622\n\n\n\n\n\n(773) 206-7354\ninfo@aspectratioprojects.com\nwww.aspectratioprojects.com\nWed. – Sat.\, 11am-6pm\nand by appointment
URL:https://www.artbeatmagazine.com/event/kate-gilmore-morning-rage-aspect-ratio-projects-gallery/
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