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SUMMARY:Meet the Masters: Arline Fisch\, Hanne Behrens & Rachel Thieves - Mobilia Gallery - Cambridge\, MA
DESCRIPTION:Please Join Us at Mobilia Gallery\nSaturday\, March 24th\, 3:00 – 5:00 pm\nMeet the Masters:\nArline Fisch\, Hanne Behrens and Rachelle Thiewes\nRSVP mobiliaart@verizon.net \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nELKE SADA\nCapriccio Series: A Collection of Functional Vessels \n\nMarch 1st – April 28th\, 2018 \n“I paint. I am totally absorbed. Then I pour clay onto the plaster block and each time I lift the clay from the canvas a new picture is revealed. I cut fragments and fold them into unique and exuberant vessels. Capriccio – passionate mix of expressive painting and my love for ceramics.”\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nELKE SADA\nCapriccio Vase\nPorcelain slabs\, roller painted\, manipulated\, altered and formed\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nELKE SADA\nCapriccio Vase\nPorcelain slabs\, roller painted\, manipulated\, altered and formed\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nView More of Elke Sada’s work on our website\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRACHELLE THIEWES : DUET \n\nMarch 1st – April 28th\, 2018 \nMeet Rachelle Thiewes at Mobilia Gallery:\nMarch 24\, 2018 from 3-5 pm \n“My jewelry of recent years explores intense iridescent and color-shifting paints used for eye-catching custom jobs on cars.  A necklace or earrings come alive when the body is in motion.  Tangible movement is implied by the deceptive appearance of collapsing forms\, swift color-shifts and the consequences of light.” \nA catalogue\, Duet: Wear It\, will accompany the exhibition. \nabove: Duet #516\, Reversible necklace and earrings. Steel\, 14K posts\, auto paint. \n\nRachelle Thiewes \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \nRACHELLE THIEWES\nDuet #517\nReversible necklace and earrings\nSteel\, 14K posts\, auto paint \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \nRACHELLE THIEWES\nDuet #513\nReversible necklace and earrings\nSteel\, 14K posts\, auto paint \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nView More of Rachelle Thiewes’ work on our website\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSPOTLIGHT EXHIBITS\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMIKI ASAI: FRAGMENTS \n\nMarch 1st – April 28th\, 2018 \nMiki Asai explores the translucent beauty of seashells\, including mother of pearl and eggshells\, with glimmering wisps of gold or silver leaf and layered surfaces of Japanese lacquer. \n“Miki Asai’s jewellery is inspired by intangible and those fleeting and changeable phenomenon\, and how this portrays the nature of everything in the world. Her aesthetics and concept are strongly based on her Japanese aesthetic that finds beauty in impermanence\, imperfection\, transience and ephemerality. \nShe creates jewellery that captures and preserves momentary beauty to own the fragments of a fleeting world\, life and everything.” \nabove: Miki Asai. Pair. Brooch. Paper\, eggshell\, seashell\, Japanese lacquer\, silver\, steel wire. 2018.\n2.75 x 1.57 x 2.36 in. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMIKI ASAI\nFrozen Drop\nBrooch. Paper\, seashell\, Japanese lacquer\, pin\n1.38 x 1.38 x 1.57 in. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nView more of Miki Asai’s work on our website\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nOPENING IN MARCH\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nARLINE FISCH: RETROSPECTIVE \n\nMarch 24th – May 5th\, 2018 \nMeet Arline Fisch at Mobilia Gallery:\nMarch 24\, 2018 from 3-5 pm\nArline Fisch is a pioneer in pursuing new avenues of textile techniques in metal with her sculptural objects and jewelry. Fisch’s dedication\, inventiveness and instruction have influenced a generation of artists. Fisch founded the programs in Jewelry and  Metalsmithing at San Diego State University in 1961\, where she taught until 2000. Fisch is renowned for her book “Textile Techniques In Metal”\, which is considered the ”bible” for anyone wanting to learn about textile techniques in jewelry. \nIn 1985 Fisch was declared a National Living Treasure by the Resolution of the California State Assembly. Other awards spanning her illustrious career include: two Fulbright grants; Doctor of Humane Letters\, Skidmore College; Lifetime Achievement in the Crafts\, presented by the National Museum of Women in the Arts\, Washington\, DC; Gold Medal presented by the American Craft Council; and Distinguished Craft Educator Award presented by the James Renwick Alliance. \nFisch’s work is held in numerous museum collections throughout the world\, including the Museum of Fine Arts\, Boston. \nArline Fisch’s work was recently featured in ‘One of a Kind’ at the\nMingei International Museum\, San Diego\, CA (on view June 17\, 2017 – January 7\, 2018)\nLink to Exhibition Description: https://mingei.org/exhibitions/arline-fisch/. \nHer work is currently being featured at the Cooper Hewitt Museum\, Smithsonian Design Museum\, New York City\, NY in the exhibition entitled Jewelry of Ideas: Gifts from the Susan Grant Lewin Collection (on view now through May 28\, 2018).\nLink to Exhibition Description: https://www.cooperhewitt.org/channel/jewelry-of-ideas/ \nabove:\nPink & Green & Pearls\nAnodized aluminum wire\, pearls\, spool knit.\n11” Diameter x 2” W\n1997 \n\nArline Fisch at work in her studio. \n\nArline Fisch’s instructional book on Textile Techniques in Metal \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nARLINE FISCH\nOrange Flowers\nSterling\, fine silver\, coated copper\, stone beads\, twisted wire\n10” X x 12” L\n2009 \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nARLINE FISCH\nRuffled Cuff Bracelets\nColor coated copper wire\, knit and crocheted \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nView more of Arline Fisch’s work on our website\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nHANNE BEHRENS: BUBBLES \n\nMarch 24th – May 5th\, 2018 \nMeet Hanne Behrens at Mobilia Gallery:\nMarch 24\, 2018 from 3-5 pm \nHanne Behrens is a master of textile techniques in metal. She is known for the pure\, clean lines of her designs. Using gold and silver wires\, she deftly weaves\, braids\, knits and crochets her exquisitely crafted jewelry. She studied under Arline Fisch and Mary Lee Hu and is a master of textile techniques such as weaving\, knitting and plaiting\, with gold and silver wire. In 2000 she was commissioned to make a brooch as a gift to Queen Margrethe of Denmark on her 60th birthday. She is the recipient of numerous grants and awards\, including Bronze and Silver medals from the Best in Danish Craft and Design exhibition\, and has exhibited in galleries and museums throughout Europe and the USA. \nAbove: Hanne Behrens\, Bubble Earrings\, Sterling silver. Knit and crocheted. \nFor the Bubble series\, Hanne Behrens found her inspiration in Terry Winters’ Lithograph\, Morula III. Held in the collection of the Tate Museum of London (pictured below). \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nHANNE BEHRENS\nBubble Earrings\nSterling silver\, oxidized silver\, 18k gold. Knit and crocheted. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nView more of Hanne Behrens’ work on our website\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nALSO ON VIEW\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \nDOROTHY FEIBLEMAN\nAssorted plates\, bowls\, tea bowls and sake cups\nPlates: Bone china\nBowls\, Tea Bowls\, Sakazuki: soft paste Parian. \nMs. Feibleman is one of the most important and influential clay artists living today.\nThese evocative vessel forms are composed of intricately\, and often delicately\, patterned clay. \n“Dorothy Feibleman’s spare porcelain forms — precise and finished to translucent\, weightless perfection — elevate the art of pattern making to an extraordinary degree. In Feibleman’s hands\, the ancient Japanese technique of nerikomi — in which ceramic objects are decorated with patterns created by combining different\, often differently colored\, clays — has been reinvented through the introduction of ideas drawn from glassmaking\, mosaic art\, jewelry making and other disciplines. Obsessively ornamented\, with patterns that multiply across their surfaces\, Feibleman’s most striking works are reminiscent of objects as diverse as blue-and-white Delftware\, central Asian metalwork and printed Indian textiles.” – Scott Norris \nDorothy Feibleman’s new collection of dinnerware includes a functional collection of bone china plates with the artist’s Nerikomi imaging. They are avaiable in’ white on white’ (pictured\, the six plates top and bottom)\, ‘blue on white’ and ‘green and red on white’ patterns. \nThe matte ‘white on white’ bowls and plates (plates on either end of the table setting\, all white bowls) are made from Feibleman’s own crafted clay\, a porcelain parian. These matte white Nerikomi plates and bowls are unique depending on how the artist cuts the patterns on the imaging block. The matte Nerikomi plates are spun and compressed by Feibleman and are made by special order. They can also be fabricated in grey or black.\nAll dinnerware is sturdy and dish washer safe. \nThe red and green tea bowls and sake cups (also pictured in the center of the table) are one of a kind pieces made by Feibleman with her signature porcelain clay – soft paste parian.
URL:https://www.artbeatmagazine.com/event/meet-masters-arline-fisch-hanne-behrens-rachel-thieves-mobilia-gallery-cambridge-ma/
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DTSTART;TZID=America/Denver:20180324T140000
DTEND;TZID=America/Denver:20180324T170000
DTSTAMP:20260409T134741
CREATED:20180315T162307Z
LAST-MODIFIED:20180315T162414Z
UID:1981-1521900000-1521910800@www.artbeatmagazine.com
SUMMARY:Gallery Y: Kim Piotrowski\, “Now That the Sky Has Fallen” Gallery X: Heather Marshall\, “Memories That Are Not Mine” Gallery O: Nina Rizzo\, “Le Lavage”
DESCRIPTION:March 10\, 2018 – April 21\, 2018\nArtist Remarks: Saturday\, March 24\, 2018\, 2-5 pm\nKim Piotrowski // Heather Marshall // Nina Rizzo \n \nLinda Warren Projects is proud to announce three powerful exhibitions by artists: Kim Piotrowski\, Now That the Sky Has Fallen (Gallery Y)\, Heather Marshall\, Memories That Are Not Mine (Gallery X)\, and Nina Rizzo\, Le Lavage (Gallery O). \nA compelling painting has no gender\, but for these mighty artists their femininity is no docility. Whether it be Piotrowski’s lyrical abstractions\, Marshall’s small intimate figure paintings\, or Rizzo’s textural abstractions\, each of them imbed salient\, and at times poignant narratives that are universally human yet deeply personal. Unapologetically creating artwork that reexamines their own fears\, histories\, and longings\, each artist captures vulnerability and masterfully reengineers it into their own source of power and inspiration. The exhibition\, as a whole\, threads a beautiful ribbon that ties together the aesthetic mastery of each painter and embodies the poetic sentiments that every human relates to no matter which body you live in. \nGallery Y – Kim Piotrowski\, Now That the Sky Has Fallen \nPiotrowski’s paintings have always danced between abstraction and reference. It is perhaps why the artist\, for the first time\, has decided to collaborate with literary poet Rose McLarney. Their chance meeting at Hambidge\, a creative residency in Georgia \n\n \nKim Piotrowski\, “Never Easy”\, 2017\, ink on paper\, 13 1/2″ x 9 1/2″ \n\nwhere both artists participated\, lent itself the opportunity for a unique creative exchange. In an installation titled “A Door Open\,” Piotrowski’s paintings on paper will spar and harmonize willingly with McLarney’s poems. Each poem is a direct response to each painting. The artist’s signature style of controlled chaos is a constant. Piotrowski’s multilayer veils of surface exude an inner energy that is both contemplative and lyrical in nature. The artist seamlessly interchanges and integrates the assertiveness of mark making while considering each line and object that could possibly reference the natural world. Phantomlike landscapes and figures appear and disappear within the paintings. Enigmatic lines and colors push and pull for attention\, so much that they wrap around the corners of the paintings\, demanding that we consider the mark and allocate recognition. Piotrowski’s process is methodical and unconfined as the paintings themselves – “layers of thin ink washes\, scrubbed\, and manipulated by time and touch\, these passages push against the opacity of forms and gestural lines that create a new dynamic within the picture plane.” The stage is set where even the smallest marks have a role. An orchestrated\, abstracted symphony of colors and lines that pursue freedom and the flexibility to exist. \nKim Piotrowski\, a Chicago based artist\, received her BFA from the School of the Art Institute of Chicago and has continued showing in both group and solo exhibitions since 1991. Most recently her work has been featured at Forum Gallery\, NYC\, Marcia Wood Gallery in Atlanta\, GA\, and Grolle:Pass:Projects in Wuppertal\, Germany. Piotrowski has been the recipient of numerous awards and recognition including the Illinois Arts Council Visual Artist Grant\, Artadia Grant and most recently the Sustainable Arts Foundation amongst many others. She has also been artist in residence at Hambidge\, Yaddo\, Ragdale and Oxbow. This is Piotrowski’s third solo exhibition with the gallery. \nGallery X – Heather Marshall\, Memories That Are Not Mine \nMarshall’s new series of small\, figurative\, monochromatic paintings emanate the artist’s introspective spirit and exceptional attention to details. Inspired by the intersection of the ordinary and the extraordinary\, Marshall looks to familiar sights\, and in this case it is her family. Women taken from her family album are reexamined and decontextualized. The protagonists within \n\n \nHeather Marshall\, “Baby I’m the Baddest”\, 2017\, oil on panel\, 5 5/8″ x 6″ \n\nminimal backgrounds tug at different emotions that range from fiercely confident to naively optimistic. Regardless of age each woman asserts her power and lives comfortably within her skin. Although visually from another era\, Marshall assigns contemporary pop songs for titles of each painting\, alluding to the ceremonial coming of age experience we all traverse through life. The distinct color pallet\, with its soft patina like tones\, emphasize time not only for the characters but for the artist herself. Each small painting takes lengthy periods of time to percolate and to finally produce. The artist’s impeccable hand and thoughtfulness generate poetic paintings that transcend time. Her ode is not necessarily to the specific woman\, but to time herself…always moving but never changing. \nHeather Marshall is a Virginia-based artist and educator\, and her work has been exhibited in such venues as Hanover College Art Gallery in Indiana\, The Snite Museum of Art at University of Notre Dame and Zolla/Lieberman Gallery\, Chicago. Marshall received her BFA from the School of the Art Institute of Chicago and her MFA from University of Notre Dame. This is Marshall’s fourth solo exhibition with the gallery. \nGallery O – Nina Rizzo\, Le Lavage \nRizzo’s global travels have informed her practice and cemented a process that is both reactive and imaginative. Drawing from visits to museums and international residencies\, the artist pulls from historical cannons that vary from Flemish paintings to Icelandic textiles. While visiting France\, Rizzo identified a potential subject matter that felt both mundane yet resembled a sensibility to the non-objective and non illusionistic practices of the geometric abstractionists. Rizzo’s new series of paintings draws from the simple shapes of laundry. Clothes that tumble in a centripetal direction with a set of perimeters based on color and non-objective compositions. Socks\, panties\, and bras…private items that inhabit her physical proximity deliver a \n\n \nNina Rizzo\, “Monument to Underwear”\, 2017\, oil on canvas\, 24″ x 24″ \n\ncontradictory dialogue. Paintings with gestural expression and thick textural strokes that over time fade into abstraction. Rizzo’s pictorial transitions explore aesthetic possibilities and give us a glimpse into her private voyeuristic world\, one that is genuinely and profoundly personal and records the passage of time and locations. Lavage – cleansing by irrigation or the like – purging. \nChicago-based artist Nina Rizzo has exhibited widely across the globe including such venues as the Association for Icelandic Visual Artists in Reykjavik\, Iceland; Megumi Ogita Gallery in Tokyo\, Japan; Tinlark Gallery in Los Angeles; E & W Gallery in Santa Fe; Art Palace in Houston; Louisiana State University in Baton Rouge; and Bad Dog Gallery in DeKalb\, IL. Rizzo has been the recipient of a number of prestigious artist residencies including one at Chateau de La Napoule\, France in 2005 and another in Marnay-Sur-Seine\, France called CAMAC in 2014. Others include Ragdale Foundation in Lake Forest\, IL; Vermont Studio Center; and Northern Illinois University Summer Research and Artistry Grants in Japan and Iceland and she has also exhibited and had a residency at CRETA in Rome\, Italy. The artist received her MFA from The University of Texas at Austin\, and her BFA from The University of Illinois at Urbana-Champaign. Rizzo is currently Associate Professor in Painting at Northern Illinois University in DeKalb\, IL. This is the artist’s fifth exhibition at Linda Warren Projects. \nFor additional information or biographical details\, please visit www.lindawarrenprojects.com or contact the gallery at (312) 432-9500.
URL:https://www.artbeatmagazine.com/event/gallery-y-kim-piotrowski-now-sky-fallen-gallery-x-heather-marshall-memories-not-mine-gallery-o-nina-rizzo-le-lavage/
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DTSTART;TZID=America/Denver:20180324T170000
DTEND;TZID=America/Denver:20180324T213000
DTSTAMP:20260409T134741
CREATED:20180315T173137Z
LAST-MODIFIED:20180315T173137Z
UID:2016-1521910800-1521927000@www.artbeatmagazine.com
SUMMARY:"Sentinels: Albert W Stern" - Valkarie Gallery - Lakewood\, CO
DESCRIPTION:Root by Albert W Stern\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPreview the Exhibition\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nvalkarie\ngallery\npresents\nSentinels:\nAlbert W Stern\nMarch 14 – April 8\, 2018\nOpening Reception Saturday\, March 24th\, 5 – 8:30pm\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nI believe our bodies are filled with Light. The face is a crystal where the Light is most expressive. I seek to capture it with as little direct thought as possible. It is easiest at night when things are more still and the mind is tired of control \nMarch 14 – April 8\, 2018\nOPENING RECEPTION:\nSaturday\, March 24\, 5 – 8:30pm\nFIRST FRIDAY ART WALK:\nFriday\, April 6\, 5 – 9:30pm\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nValkarie Gallery & Studio \n\n445 S Saulsbury St\nLakewood\, CO 80226
URL:https://www.artbeatmagazine.com/event/sentinels-albert-w-stern-valkarie-gallery-lakewood-co/
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DTSTART;TZID=America/Denver:20180324T180000
DTEND;TZID=America/Denver:20180324T180000
DTSTAMP:20260409T134741
CREATED:20180315T172846Z
LAST-MODIFIED:20180315T172929Z
UID:2013-1521914400-1521914400@www.artbeatmagazine.com
SUMMARY:Christopher Sheils "Full Time" - Fabric Projects - Los Angeles\, CA
DESCRIPTION:MARCH 15\, 2018\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n© Christopher Sheils\, Tangential\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCHRISTOPHER SHEILS\nFULL TIME\n\n\n\n\n\n\n\n\nMarch 17—April 14\, 2018 \n  \n\nOpening Reception:  \nSaturday\, March 24\, 2018\, 6-8pm\n\nFabrik Projects\n2636 S. La Cienega Blvd.\nLos Angeles\, CA 90034\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nFabrik Projects is proud to present Christopher Sheils: Full Time\, the artist’s first exhibition with the gallery.\n\n \nFull Time is comprised of photographs from the fourth grouping in his ‘Time’ series\, which includes Time is an Illusion\, More Time\, Extra Time\, and Full Time. The primary theme of these groupings is duality and each grouping reflects a stylistic development from Photomontage to Surrealism. The images from Full Time are predominantly Surrealist. \n  \n\nFor more information\, please contact: \nKasey Taylor\nkasey@fabrikprojects.com\n(310) 730-6074 \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n2636 S. La Cienega Blvd.\, Los Angeles\, CA 90034\n\nGallery Hours: Tuesday – Saturday\, 11am-6pm\nwww.fabrikprojects.com
URL:https://www.artbeatmagazine.com/event/christopher-sheils-full-time-fabric-projects-los-angeles-ca/
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