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DTSTART;TZID=America/Denver:20180407T180000
DTEND;TZID=America/Denver:20180407T200000
DTSTAMP:20260403T130024
CREATED:20180405T221009Z
LAST-MODIFIED:20180405T222234Z
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SUMMARY:Devon Dikeou Exhibiting @ September Gallery: Sit-In\, a collective look at the split behavior of a familiar form - New York
DESCRIPTION:Devon Dikeou\, BETWEEN THE ACTS (VIRGINIA WOOLF): Jimmy Kimmel\, 2014-Ongoing\, Variable dimensions\n\n\n\n\nSIT-IN\nApril 7-May 20\, 2018\nOpening: Saturday\, April 7\, 6-8pm\n\n\nSEPTEMBER\n449 Warren St\, #3\nHudson\, NY\n\nSARAH BRAMAN\nJANE BUSTIN\nNICOLE CHERUBINI\nLIZ COLLINS\nFRANCESCA DIMATTIO\nDEVON DIKEOU\nBARBARA GALLUCCI\nKATE GILMORE\nMARY HEILMANN\nJESSICA JACKSON HUTCHINS\nLALEH KHORRAMIAN\nHANNAH LEVY\nLAUREL NAKADATE\nSARA GREENBERGER RAFFERTY\nJESSI REAVES\nNANCY SHAVER\nAGATHE SNOW\nKIANJA STROBERT\n\n\nOpening Saturday\, April 7 at SEPTEMBER: Sit-In\, a collective look at the split behavior of a familiar form. \nIn an interrogation room\, two chairs face each other across a desk. At a birthday party\, the guest of honor sits at the head of the table. In a museum\, bench seating is placed at regular intervals in the center of a room. At a principal’s office\, the student is instructed to “sit down.” On a stage\, a comedian stands beside an empty stool. At an auction\, everyone sits\, save the auctioneer. \nA seat is a frame and a proposition. A person sitting either subscribes to or rejects suggestion; their body gives in to the framework\, or contradicts it- settles into an armrest or sits forward\, lounges on a chaise or perches on edge. \nWhen the functionality of the form is prioritized\, a chair is more or less self-evident. A seat with four legs and a back can have an uncomplicated purpose. A folding chair provides the utilitarian uses of being portable stackable\, and sit-able. An execution chair is constructed to suit its intention: remain stable\, unbreakable\, and provide constraints. \nHowever when aesthetics and composition reign\, a new function is served. The grandeur and adornment of a throne purposes to reflect the power of the sitter\, the elegance and recline of the Eames proposes to embody a comfortable lifestyle. Here\, the chair becomes a status symbol\, the position of power or the privilege of leisure. \nFor the exhibition Sit-In\, a cacophonous individuality arises. Vastly distinctive seats have been created\, deconstructed\, reconfigured and repurposed. Positioned in rows and facing a unified direction\, a collective stance arises. Draped curtains provide the suggestion of a backdrop- a gesture of substantiation or revelation of artifice. Sit-in is a theatre of subversion and a revision of what we know. \nFor more information\, please visit the gallery\, our website\, or contact kristen@septembergallery.com.
URL:https://www.artbeatmagazine.com/event/devon-dikeou-exhibiting-september-gallery-sit-collective-look-split-behavior-familiar-form/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180407T130000
DTEND;TZID=America/Denver:20180407T150000
DTSTAMP:20260403T130024
CREATED:20180405T231617Z
LAST-MODIFIED:20180405T231636Z
UID:2134-1523106000-1523113200@www.artbeatmagazine.com
SUMMARY:Our Planet - Exhibition - Curators Talk - Earth Day - Curtis Center for the Arts - Greenwood Village - Colorado
DESCRIPTION:Our Planet\nWhen: April 7 – May 5\nWhere: Curtis Center for the Arts \nThis exhibition was created to artistically explore issues regarding the sustainability of our planet’s environment. It seems that nearly every day we hear about or witness something that is changing our planet’s climate and environment\, and as artists our surroundings are a vital element in the creation of our work. \nIn this show artists explore what’s happening and what might be done to address the sustainability of our planet. A small group of artists led by Bob Doyle\, artist and Greenwood Village resident\, curated this show with the objective of connecting art to the environmental wonders\, changes and threats we are now experiencing. Click here for a sneak preview of some of the works from the show.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCurator’s Talk\nSaturday\, April 7th 1pm\nBob Doyle\, artist and Greenwood Village resident will lead a discussion on how he approached putting together this exhibit focused on our changing environment. Bob will discuss the work in the show and how the pieces relate to the theme of sustaining our planet’s changing climate. This event is free and open to the public.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nEarth Day Event\nSaturday\, April 21st 10am-2pm\nJoin us at the Curtis Center for he Arts as we celebrate Earth Day. The day is filled with Earth friendly activities for the kids\, breakfast with the artists\, live music\, food trucks\, free yoga and a tree planting by Greenwood Village Mayor\, Ron Rakowsky. This event is free and open to the public.\n10am Mayor’s Tree Planting\n10am-noon– Breakfast with the artists in the Our Planet exhibit\nNoon- 2pm– Kid’s activities\, food trucks\, live music and more\nFree Yoga classes from Yoga Pod at 12:30\, 1:00 and 1:30\nFor more info click here.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPictured above:\n“Some Things Last Forever” by Elizabeth Rouland\n“Pica Scream”- by Bob Doyle\n“Greenback Cutthroat Trout” by Susan McKelveyCurtis Center for the Arts\n2349 East Orchard Road\nGreenwood Village\, CO 80121\n303-797-1779\nM-F 8:30- 4:30 Sat 10-4
URL:https://www.artbeatmagazine.com/event/planet-exhibition-curators-talk-earth-day-curtis-center-arts-greenwood-village-colorado/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180407
DTEND;VALUE=DATE:20180408
DTSTAMP:20260403T130024
CREATED:20180405T225711Z
LAST-MODIFIED:20180405T225811Z
UID:2127-1523059200-1523145599@www.artbeatmagazine.com
SUMMARY:Gallery 1261 & K Contemporary Exhibitions Opening April 7\, 2018 - Denver\, Colorado
DESCRIPTION:On April 7th\, Gallery 1261 is proud to present Spaces\, an extraordinary survey of both landscapes and cityscape works by four of the gallery’s leading artists. Valerio D’Ospina\, Dianne L. Massey Dunbar\, Ulrich Gleiter\, and Dale O Roberts all come together to showcase their perspectives on the environments we inhabit in their individual styles.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nOpening April 7th\, K Contemporary is proud to present a solo exhibition for Suchitra Mattai\, a multi-disciplinary Denver artist with a growing international reputation. In this show\, Mattai will weave a powerful self-portrait of relationships at once intimate and infinite. Mattai’s gifted imagination draws upon a wealth of both memory and history to create compelling works that delight the eye and challenge the intellect. Having personally inhabited landscapes from Guyana to Nova Scotia\, from New York to Udaipur\, India\, and from Minneapolis to the Rocky Mountains\, she brings to “Sweet Asylum” a nomad’s perspective on the nature of home.
URL:https://www.artbeatmagazine.com/event/gallery-1261-k-contemporary-exhibitions-opening-april-7-2018-denver-colorado/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180406T190000
DTEND;TZID=America/Denver:20180406T210000
DTSTAMP:20260403T130024
CREATED:20180405T234507Z
LAST-MODIFIED:20180405T234507Z
UID:2141-1523041200-1523048400@www.artbeatmagazine.com
SUMMARY:Practical Art - 10 Year Anniversary Group Show - Phoenix\, Arizona
DESCRIPTION:10 Year Anniversary Group Show\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nReception for the artists:\nFirst Friday April 6th\, from 7-9\nExhibition:\nApril 1-30 \nPractical Art turns 10 in April! It has been an awesome decade. We are exceptionally proud to have helped sustain local art\, local artists\, and local art culture in and around Phoenix for the past ten years. We attribute this amazing milestone to our wonderful staff\, the beloved community members who support us and our vision\, and the exceptionally talented artists who showcase their work at Practical Art everyday. \nOur April show pays a special tribute to these talented creatives. The wall show features a collection of works that showcase the broad variety and skills of the artists who have worked with and supported Practical Art over the years. Many have been with us since the beginning\, some are newer to the Practical Art family. Each individual brings a fresh perspective and unique flavor that enriches the essence of the local community we love. That essence is captured in this show. These works– and the passion and insights that they encourage– are a testament to why we do what we do. Therefore\, thank you\, to all of the Practical Art artists who make our shop\, the Phoenix community\, and the great state of Arizona a more inspiring place to live\, work\, and grow. \nThis months featured artists include:\nAndrew King\nAnn Morton\nAlex Ozers\nBeth Shook\nBill Dambrova\nCarrie Marill\nChris Jagmin\nChristine Cassano\nChristine Lee\nChristy Puetz\nDaniel Funkhouser\nDanielle Hacche\nDavid Higgins\nDenise Yaghmourian & Grace & Vylet Bertoncino\nEmily Costello\nGennaro Garcia & Frida Garcia\nHeather Kirchhofer\nJane Kelsey-Maple & Becky Frehse\nJake Early\nJay Hardin\nJennifer Harris\nJoe Ray\nJohn Ryszka\nJordan Thomas\nKate Timmerman\nLara Plecas\nLayla Luna\nLexie Bowers\nLinda Pullinsi\nLori Fenn\nMagda Gluszek\nMatt Pfeilstucker\nMayme Kratz & Tim Lanterman\nMolly Kohen\nNissa Kubly\nPatricia Sannit\nPatrick Madigan\nPeter Deise\nSamantha Fresquez\nTerry Pisel\nTiffany Bailey\nTimothy Chapman\nTom Budzak\nTroy Moody\nWilliam LeGoullon\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSpend two hours with one of your favorite local artists\, learn a new craft\, and make and take your very own piece of Practical Art. \nUPCOMING CLASS:\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSaturday April 7th-FROM 11AM-1PM: Ring Making with Alex Ozers
URL:https://www.artbeatmagazine.com/event/practical-art-10-year-anniversary-group-show-phoenix-arizona/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180406T180000
DTEND;TZID=America/Denver:20180406T220000
DTSTAMP:20260403T130024
CREATED:20180405T221518Z
LAST-MODIFIED:20180405T221518Z
UID:2109-1523037600-1523052000@www.artbeatmagazine.com
SUMMARY:Yo! Matsuri Discovery Japan Festival - Scottsdale Center for the Performing Arts - Arizona
DESCRIPTION:Yo! Matsuri Discovery Japan Festival\nFriday\, April 6\, 6–10 p.m. \nJoin us to celebrate the culmination of Discovery Series Japan at the Yo! Matsuri (Night Festival)! At this FREE event\, you’ll enjoy music\, dance\, film\, food and artist demonstrations\, all while learning more about the arts and culture of Japan. \n\n\nABOUT THIS EVENT\n\n\n\n\nThe culmination of the Discovery Series Japan\, Yo! Matsuri (Night Festival) celebrates the culture of Japan through entertainment and interactive experiences. Visitors may enjoy music\, dance\, films\, food\, artist demonstrations and more. \nHighlights include Arizona Taiko legend\,Ken Koshio\, a screening of photographer Luke Dorsett’s Japanese lowrider documentary and sake tastings. \nFOUNTAIN STAGE ENTERTAINMENT:\n6:05–7 p.m. HopiToWa\, a Japanese and Native American fusion band\n7:30–8:30 p.m. Surfing Godzillas\, retro Japanese rock of the mid- to late-Showa era\, 1960–1980\n9–9:30 p.m. Arizona Ondo Kai\, Japanese folk dance \nVIRGINIA G PIPER THEATER:\n6:30–7:30 p.m. East Meets West: Live cooking demonstration with Chef Nobuo Fukuda\n8:30–9:30 p.m. Collaborative Taiko Show\, community Taiko with some of the best local Taiko groups around the Valley \nOTHER OUTDOORS ACTIVITIES:\nAll evening: Three lowrider cars in conjunction with Luke Dorsett’s lowrider film screening in Stage 2\nCalligraphy by Encolor\, demonstrating and selling personalized calligraphy\nJapanese Friendship Garden information table \nFOOD VENDORS:\nYatai Ramen Food Truck\, Sasaki Sushi Bar\, plus sake at the bar from Arizona Sake \nSTAGE 2\n6:15–6:45 p.m. Japanese tea demonstration\n7:15–7:45 p.m. Excerpt of Slow and Low Worldwide (film screening)\n8:15–8:45 p.m. A Brief History of Horimono Tattooing: Presented by Josh Carter\, a tattoo artist and co-owner of Dame of the West Tattoo in Old Town Scottsdale \nCatwalk Lounge:\nThree 30-minute sake tastings\, led by Arizona’s only Sake brewer of Arizona Sake\nTickets: $15\, through the box office at 480-499-TKTS (8587)\nTimes: 6:15\, 7:30\, 8:45 p.m. \nYoung@Art Gallery:\nKaraoke room
URL:https://www.artbeatmagazine.com/event/yo-matsuri-discovery-japan-festival-scottsdale-center-performing-arts-arizona/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180406T080000
DTEND;TZID=America/Denver:20180406T170000
DTSTAMP:20260403T130024
CREATED:20180315T163245Z
LAST-MODIFIED:20180315T163245Z
UID:1987-1523001600-1523034000@www.artbeatmagazine.com
SUMMARY:Judy Ledgerwood  "Far From The Tree" - Rhona Hoffman Gallery
DESCRIPTION:Opening Reception: Friday\, April 6\, 5-7:30pm \nExhibition runs: April 6 – May 19\, 2018 \nInaugurating Rhona Hoffman Gallery’s new location\,\nJudy Ledgerwood’s paintings celebrate and complicate abstract feminine forms through visually disruptive color juxtapositions and yonic shapes. \n\n\n\nNew address\n1711 W. Chicago Avenue\nChicago\, IL 60622\n\n\n\n\n\n(312) 455-1990\ncontact@rhoffmangallery.com\nwww.rhoffmangallery.com\nTues. – Fri.\, 10am-5:30pm;\nSat.\, 11am-5:30pm
URL:https://www.artbeatmagazine.com/event/judy-ledgerwood-far-tree-rhona-hoffman-gallery/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180405T180000
DTEND;TZID=America/Denver:20180405T200000
DTSTAMP:20260403T130024
CREATED:20180405T224354Z
LAST-MODIFIED:20180405T224700Z
UID:2122-1522951200-1522958400@www.artbeatmagazine.com
SUMMARY:Prographica/KDR present "Interior Worlds" works by Kenny Harris - Seattle\, Washington
DESCRIPTION:Kenny Harris \nInterior Worlds\n\n\n\n\n\nApril 5 – 28\, 2018\n\n\n\n\n\nArtist Reception:\nThursday\, April 5\, 6-8pm\n\n\n\n\n\nArtist Talk:\nSaturday\, April 7\, 2pm\n\n\n\n\n\nPrographica/KDR is pleased to announce a solo exhibition of recent work by Venice Beach\, CA painter Kenny Harris. The show\, titled Interior Worlds\, features a collection of portraits and interior paintings.\n\n\n\n\n\nThe installation will mark the artist’s debut exhibition in Seattle and Harris’ fifth solo exhibition with\nKDR(Koplin Del Rio).\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n313 Occidental Avenue South\nSeattle\, WA 98104\n\n\n\n\n\n\n\n(206) 999-0849\n\n\n\ninfo@koplindelrio.com\n\n\n\nwww.koplindelrio.com\n\n\n\nfacebook.com/koplin.delrio\n\n\n\ntwitter.com/koplindelrio?lang=en\n\n\n\ninstagram.com/koplindelrio\n\n\n\n\n\n\n\nTuesday – Saturday\, 10am-5:30pm\n\n\n\n\n\n\n\n\n\nKenny Harris\, “Modern Vanity\,” 2017\,\noil on canvas\, 30 x 20″\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nKenny Harris has made a career out of describing his environment both at home and abroad. He has traveled around the world depicting subject matter both grand and mundane. Travel is a constant pull for this artist\, and he has made bodies of work focused on Central America\, South America\, Italy\, France\, Cuba\, Turkey\, China\, as well as the US and his backyard of Venice Beach. His oil paintings define a place and mood\, changing spaces and cityscapes with a character and resonance from direct observation. \nFor this exhibition\, Harris focused on finding his voice in portraiture through different means. In this new body of work\, the artist has turned his inquiry from the depiction of quiet solitary spaces to the interior worlds of his creative peers in Los Angeles. The artist’s friends are shown engaged in activities or contemplation\, inviting the viewer to participate in their quiet moments. The environments play a major role in the paintings by supporting the psychological space of the sitter–sometimes the figures even merge with a background or vibrate against it. \nI was approaching the portraits with experimentation in mind\, exploring the genre in my own voice but without pre-determined methods. The needs of each composition demanded various technical approaches\, hence the variety of paint application and scale. I attempted to create portraits that evoke the human experience through a textured surface which is at once illusion and object.
URL:https://www.artbeatmagazine.com/event/prographica-kdr-present-interior-worlds-works-kenny-harris-seattle-washington/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180324T180000
DTEND;TZID=America/Denver:20180324T180000
DTSTAMP:20260403T130024
CREATED:20180315T172846Z
LAST-MODIFIED:20180315T172929Z
UID:2013-1521914400-1521914400@www.artbeatmagazine.com
SUMMARY:Christopher Sheils "Full Time" - Fabric Projects - Los Angeles\, CA
DESCRIPTION:MARCH 15\, 2018\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n© Christopher Sheils\, Tangential\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCHRISTOPHER SHEILS\nFULL TIME\n\n\n\n\n\n\n\n\nMarch 17—April 14\, 2018 \n  \n\nOpening Reception:  \nSaturday\, March 24\, 2018\, 6-8pm\n\nFabrik Projects\n2636 S. La Cienega Blvd.\nLos Angeles\, CA 90034\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nFabrik Projects is proud to present Christopher Sheils: Full Time\, the artist’s first exhibition with the gallery.\n\n \nFull Time is comprised of photographs from the fourth grouping in his ‘Time’ series\, which includes Time is an Illusion\, More Time\, Extra Time\, and Full Time. The primary theme of these groupings is duality and each grouping reflects a stylistic development from Photomontage to Surrealism. The images from Full Time are predominantly Surrealist. \n  \n\nFor more information\, please contact: \nKasey Taylor\nkasey@fabrikprojects.com\n(310) 730-6074 \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n2636 S. La Cienega Blvd.\, Los Angeles\, CA 90034\n\nGallery Hours: Tuesday – Saturday\, 11am-6pm\nwww.fabrikprojects.com
URL:https://www.artbeatmagazine.com/event/christopher-sheils-full-time-fabric-projects-los-angeles-ca/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180324T170000
DTEND;TZID=America/Denver:20180324T213000
DTSTAMP:20260403T130024
CREATED:20180315T173137Z
LAST-MODIFIED:20180315T173137Z
UID:2016-1521910800-1521927000@www.artbeatmagazine.com
SUMMARY:"Sentinels: Albert W Stern" - Valkarie Gallery - Lakewood\, CO
DESCRIPTION:Root by Albert W Stern\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPreview the Exhibition\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nvalkarie\ngallery\npresents\nSentinels:\nAlbert W Stern\nMarch 14 – April 8\, 2018\nOpening Reception Saturday\, March 24th\, 5 – 8:30pm\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nI believe our bodies are filled with Light. The face is a crystal where the Light is most expressive. I seek to capture it with as little direct thought as possible. It is easiest at night when things are more still and the mind is tired of control \nMarch 14 – April 8\, 2018\nOPENING RECEPTION:\nSaturday\, March 24\, 5 – 8:30pm\nFIRST FRIDAY ART WALK:\nFriday\, April 6\, 5 – 9:30pm\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nValkarie Gallery & Studio \n\n445 S Saulsbury St\nLakewood\, CO 80226
URL:https://www.artbeatmagazine.com/event/sentinels-albert-w-stern-valkarie-gallery-lakewood-co/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180324T140000
DTEND;TZID=America/Denver:20180324T170000
DTSTAMP:20260403T130024
CREATED:20180315T162307Z
LAST-MODIFIED:20180315T162414Z
UID:1981-1521900000-1521910800@www.artbeatmagazine.com
SUMMARY:Gallery Y: Kim Piotrowski\, “Now That the Sky Has Fallen” Gallery X: Heather Marshall\, “Memories That Are Not Mine” Gallery O: Nina Rizzo\, “Le Lavage”
DESCRIPTION:March 10\, 2018 – April 21\, 2018\nArtist Remarks: Saturday\, March 24\, 2018\, 2-5 pm\nKim Piotrowski // Heather Marshall // Nina Rizzo \n \nLinda Warren Projects is proud to announce three powerful exhibitions by artists: Kim Piotrowski\, Now That the Sky Has Fallen (Gallery Y)\, Heather Marshall\, Memories That Are Not Mine (Gallery X)\, and Nina Rizzo\, Le Lavage (Gallery O). \nA compelling painting has no gender\, but for these mighty artists their femininity is no docility. Whether it be Piotrowski’s lyrical abstractions\, Marshall’s small intimate figure paintings\, or Rizzo’s textural abstractions\, each of them imbed salient\, and at times poignant narratives that are universally human yet deeply personal. Unapologetically creating artwork that reexamines their own fears\, histories\, and longings\, each artist captures vulnerability and masterfully reengineers it into their own source of power and inspiration. The exhibition\, as a whole\, threads a beautiful ribbon that ties together the aesthetic mastery of each painter and embodies the poetic sentiments that every human relates to no matter which body you live in. \nGallery Y – Kim Piotrowski\, Now That the Sky Has Fallen \nPiotrowski’s paintings have always danced between abstraction and reference. It is perhaps why the artist\, for the first time\, has decided to collaborate with literary poet Rose McLarney. Their chance meeting at Hambidge\, a creative residency in Georgia \n\n \nKim Piotrowski\, “Never Easy”\, 2017\, ink on paper\, 13 1/2″ x 9 1/2″ \n\nwhere both artists participated\, lent itself the opportunity for a unique creative exchange. In an installation titled “A Door Open\,” Piotrowski’s paintings on paper will spar and harmonize willingly with McLarney’s poems. Each poem is a direct response to each painting. The artist’s signature style of controlled chaos is a constant. Piotrowski’s multilayer veils of surface exude an inner energy that is both contemplative and lyrical in nature. The artist seamlessly interchanges and integrates the assertiveness of mark making while considering each line and object that could possibly reference the natural world. Phantomlike landscapes and figures appear and disappear within the paintings. Enigmatic lines and colors push and pull for attention\, so much that they wrap around the corners of the paintings\, demanding that we consider the mark and allocate recognition. Piotrowski’s process is methodical and unconfined as the paintings themselves – “layers of thin ink washes\, scrubbed\, and manipulated by time and touch\, these passages push against the opacity of forms and gestural lines that create a new dynamic within the picture plane.” The stage is set where even the smallest marks have a role. An orchestrated\, abstracted symphony of colors and lines that pursue freedom and the flexibility to exist. \nKim Piotrowski\, a Chicago based artist\, received her BFA from the School of the Art Institute of Chicago and has continued showing in both group and solo exhibitions since 1991. Most recently her work has been featured at Forum Gallery\, NYC\, Marcia Wood Gallery in Atlanta\, GA\, and Grolle:Pass:Projects in Wuppertal\, Germany. Piotrowski has been the recipient of numerous awards and recognition including the Illinois Arts Council Visual Artist Grant\, Artadia Grant and most recently the Sustainable Arts Foundation amongst many others. She has also been artist in residence at Hambidge\, Yaddo\, Ragdale and Oxbow. This is Piotrowski’s third solo exhibition with the gallery. \nGallery X – Heather Marshall\, Memories That Are Not Mine \nMarshall’s new series of small\, figurative\, monochromatic paintings emanate the artist’s introspective spirit and exceptional attention to details. Inspired by the intersection of the ordinary and the extraordinary\, Marshall looks to familiar sights\, and in this case it is her family. Women taken from her family album are reexamined and decontextualized. The protagonists within \n\n \nHeather Marshall\, “Baby I’m the Baddest”\, 2017\, oil on panel\, 5 5/8″ x 6″ \n\nminimal backgrounds tug at different emotions that range from fiercely confident to naively optimistic. Regardless of age each woman asserts her power and lives comfortably within her skin. Although visually from another era\, Marshall assigns contemporary pop songs for titles of each painting\, alluding to the ceremonial coming of age experience we all traverse through life. The distinct color pallet\, with its soft patina like tones\, emphasize time not only for the characters but for the artist herself. Each small painting takes lengthy periods of time to percolate and to finally produce. The artist’s impeccable hand and thoughtfulness generate poetic paintings that transcend time. Her ode is not necessarily to the specific woman\, but to time herself…always moving but never changing. \nHeather Marshall is a Virginia-based artist and educator\, and her work has been exhibited in such venues as Hanover College Art Gallery in Indiana\, The Snite Museum of Art at University of Notre Dame and Zolla/Lieberman Gallery\, Chicago. Marshall received her BFA from the School of the Art Institute of Chicago and her MFA from University of Notre Dame. This is Marshall’s fourth solo exhibition with the gallery. \nGallery O – Nina Rizzo\, Le Lavage \nRizzo’s global travels have informed her practice and cemented a process that is both reactive and imaginative. Drawing from visits to museums and international residencies\, the artist pulls from historical cannons that vary from Flemish paintings to Icelandic textiles. While visiting France\, Rizzo identified a potential subject matter that felt both mundane yet resembled a sensibility to the non-objective and non illusionistic practices of the geometric abstractionists. Rizzo’s new series of paintings draws from the simple shapes of laundry. Clothes that tumble in a centripetal direction with a set of perimeters based on color and non-objective compositions. Socks\, panties\, and bras…private items that inhabit her physical proximity deliver a \n\n \nNina Rizzo\, “Monument to Underwear”\, 2017\, oil on canvas\, 24″ x 24″ \n\ncontradictory dialogue. Paintings with gestural expression and thick textural strokes that over time fade into abstraction. Rizzo’s pictorial transitions explore aesthetic possibilities and give us a glimpse into her private voyeuristic world\, one that is genuinely and profoundly personal and records the passage of time and locations. Lavage – cleansing by irrigation or the like – purging. \nChicago-based artist Nina Rizzo has exhibited widely across the globe including such venues as the Association for Icelandic Visual Artists in Reykjavik\, Iceland; Megumi Ogita Gallery in Tokyo\, Japan; Tinlark Gallery in Los Angeles; E & W Gallery in Santa Fe; Art Palace in Houston; Louisiana State University in Baton Rouge; and Bad Dog Gallery in DeKalb\, IL. Rizzo has been the recipient of a number of prestigious artist residencies including one at Chateau de La Napoule\, France in 2005 and another in Marnay-Sur-Seine\, France called CAMAC in 2014. Others include Ragdale Foundation in Lake Forest\, IL; Vermont Studio Center; and Northern Illinois University Summer Research and Artistry Grants in Japan and Iceland and she has also exhibited and had a residency at CRETA in Rome\, Italy. The artist received her MFA from The University of Texas at Austin\, and her BFA from The University of Illinois at Urbana-Champaign. Rizzo is currently Associate Professor in Painting at Northern Illinois University in DeKalb\, IL. This is the artist’s fifth exhibition at Linda Warren Projects. \nFor additional information or biographical details\, please visit www.lindawarrenprojects.com or contact the gallery at (312) 432-9500.
URL:https://www.artbeatmagazine.com/event/gallery-y-kim-piotrowski-now-sky-fallen-gallery-x-heather-marshall-memories-not-mine-gallery-o-nina-rizzo-le-lavage/
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180324
DTEND;VALUE=DATE:20180325
DTSTAMP:20260403T130024
CREATED:20180319T163131Z
LAST-MODIFIED:20180319T163131Z
UID:2045-1521849600-1521935999@www.artbeatmagazine.com
SUMMARY:Meet the Masters: Arline Fisch\, Hanne Behrens & Rachel Thieves - Mobilia Gallery - Cambridge\, MA
DESCRIPTION:Please Join Us at Mobilia Gallery\nSaturday\, March 24th\, 3:00 – 5:00 pm\nMeet the Masters:\nArline Fisch\, Hanne Behrens and Rachelle Thiewes\nRSVP mobiliaart@verizon.net \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nELKE SADA\nCapriccio Series: A Collection of Functional Vessels \n\nMarch 1st – April 28th\, 2018 \n“I paint. I am totally absorbed. Then I pour clay onto the plaster block and each time I lift the clay from the canvas a new picture is revealed. I cut fragments and fold them into unique and exuberant vessels. Capriccio – passionate mix of expressive painting and my love for ceramics.”\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nELKE SADA\nCapriccio Vase\nPorcelain slabs\, roller painted\, manipulated\, altered and formed\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nELKE SADA\nCapriccio Vase\nPorcelain slabs\, roller painted\, manipulated\, altered and formed\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nView More of Elke Sada’s work on our website\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRACHELLE THIEWES : DUET \n\nMarch 1st – April 28th\, 2018 \nMeet Rachelle Thiewes at Mobilia Gallery:\nMarch 24\, 2018 from 3-5 pm \n“My jewelry of recent years explores intense iridescent and color-shifting paints used for eye-catching custom jobs on cars.  A necklace or earrings come alive when the body is in motion.  Tangible movement is implied by the deceptive appearance of collapsing forms\, swift color-shifts and the consequences of light.” \nA catalogue\, Duet: Wear It\, will accompany the exhibition. \nabove: Duet #516\, Reversible necklace and earrings. Steel\, 14K posts\, auto paint. \n\nRachelle Thiewes \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \nRACHELLE THIEWES\nDuet #517\nReversible necklace and earrings\nSteel\, 14K posts\, auto paint \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \nRACHELLE THIEWES\nDuet #513\nReversible necklace and earrings\nSteel\, 14K posts\, auto paint \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nView More of Rachelle Thiewes’ work on our website\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSPOTLIGHT EXHIBITS\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMIKI ASAI: FRAGMENTS \n\nMarch 1st – April 28th\, 2018 \nMiki Asai explores the translucent beauty of seashells\, including mother of pearl and eggshells\, with glimmering wisps of gold or silver leaf and layered surfaces of Japanese lacquer. \n“Miki Asai’s jewellery is inspired by intangible and those fleeting and changeable phenomenon\, and how this portrays the nature of everything in the world. Her aesthetics and concept are strongly based on her Japanese aesthetic that finds beauty in impermanence\, imperfection\, transience and ephemerality. \nShe creates jewellery that captures and preserves momentary beauty to own the fragments of a fleeting world\, life and everything.” \nabove: Miki Asai. Pair. Brooch. Paper\, eggshell\, seashell\, Japanese lacquer\, silver\, steel wire. 2018.\n2.75 x 1.57 x 2.36 in. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMIKI ASAI\nFrozen Drop\nBrooch. Paper\, seashell\, Japanese lacquer\, pin\n1.38 x 1.38 x 1.57 in. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nView more of Miki Asai’s work on our website\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nOPENING IN MARCH\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nARLINE FISCH: RETROSPECTIVE \n\nMarch 24th – May 5th\, 2018 \nMeet Arline Fisch at Mobilia Gallery:\nMarch 24\, 2018 from 3-5 pm\nArline Fisch is a pioneer in pursuing new avenues of textile techniques in metal with her sculptural objects and jewelry. Fisch’s dedication\, inventiveness and instruction have influenced a generation of artists. Fisch founded the programs in Jewelry and  Metalsmithing at San Diego State University in 1961\, where she taught until 2000. Fisch is renowned for her book “Textile Techniques In Metal”\, which is considered the ”bible” for anyone wanting to learn about textile techniques in jewelry. \nIn 1985 Fisch was declared a National Living Treasure by the Resolution of the California State Assembly. Other awards spanning her illustrious career include: two Fulbright grants; Doctor of Humane Letters\, Skidmore College; Lifetime Achievement in the Crafts\, presented by the National Museum of Women in the Arts\, Washington\, DC; Gold Medal presented by the American Craft Council; and Distinguished Craft Educator Award presented by the James Renwick Alliance. \nFisch’s work is held in numerous museum collections throughout the world\, including the Museum of Fine Arts\, Boston. \nArline Fisch’s work was recently featured in ‘One of a Kind’ at the\nMingei International Museum\, San Diego\, CA (on view June 17\, 2017 – January 7\, 2018)\nLink to Exhibition Description: https://mingei.org/exhibitions/arline-fisch/. \nHer work is currently being featured at the Cooper Hewitt Museum\, Smithsonian Design Museum\, New York City\, NY in the exhibition entitled Jewelry of Ideas: Gifts from the Susan Grant Lewin Collection (on view now through May 28\, 2018).\nLink to Exhibition Description: https://www.cooperhewitt.org/channel/jewelry-of-ideas/ \nabove:\nPink & Green & Pearls\nAnodized aluminum wire\, pearls\, spool knit.\n11” Diameter x 2” W\n1997 \n\nArline Fisch at work in her studio. \n\nArline Fisch’s instructional book on Textile Techniques in Metal \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nARLINE FISCH\nOrange Flowers\nSterling\, fine silver\, coated copper\, stone beads\, twisted wire\n10” X x 12” L\n2009 \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nARLINE FISCH\nRuffled Cuff Bracelets\nColor coated copper wire\, knit and crocheted \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nView more of Arline Fisch’s work on our website\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nHANNE BEHRENS: BUBBLES \n\nMarch 24th – May 5th\, 2018 \nMeet Hanne Behrens at Mobilia Gallery:\nMarch 24\, 2018 from 3-5 pm \nHanne Behrens is a master of textile techniques in metal. She is known for the pure\, clean lines of her designs. Using gold and silver wires\, she deftly weaves\, braids\, knits and crochets her exquisitely crafted jewelry. She studied under Arline Fisch and Mary Lee Hu and is a master of textile techniques such as weaving\, knitting and plaiting\, with gold and silver wire. In 2000 she was commissioned to make a brooch as a gift to Queen Margrethe of Denmark on her 60th birthday. She is the recipient of numerous grants and awards\, including Bronze and Silver medals from the Best in Danish Craft and Design exhibition\, and has exhibited in galleries and museums throughout Europe and the USA. \nAbove: Hanne Behrens\, Bubble Earrings\, Sterling silver. Knit and crocheted. \nFor the Bubble series\, Hanne Behrens found her inspiration in Terry Winters’ Lithograph\, Morula III. Held in the collection of the Tate Museum of London (pictured below). \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nHANNE BEHRENS\nBubble Earrings\nSterling silver\, oxidized silver\, 18k gold. Knit and crocheted. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nView more of Hanne Behrens’ work on our website\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nALSO ON VIEW\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \nDOROTHY FEIBLEMAN\nAssorted plates\, bowls\, tea bowls and sake cups\nPlates: Bone china\nBowls\, Tea Bowls\, Sakazuki: soft paste Parian. \nMs. Feibleman is one of the most important and influential clay artists living today.\nThese evocative vessel forms are composed of intricately\, and often delicately\, patterned clay. \n“Dorothy Feibleman’s spare porcelain forms — precise and finished to translucent\, weightless perfection — elevate the art of pattern making to an extraordinary degree. In Feibleman’s hands\, the ancient Japanese technique of nerikomi — in which ceramic objects are decorated with patterns created by combining different\, often differently colored\, clays — has been reinvented through the introduction of ideas drawn from glassmaking\, mosaic art\, jewelry making and other disciplines. Obsessively ornamented\, with patterns that multiply across their surfaces\, Feibleman’s most striking works are reminiscent of objects as diverse as blue-and-white Delftware\, central Asian metalwork and printed Indian textiles.” – Scott Norris \nDorothy Feibleman’s new collection of dinnerware includes a functional collection of bone china plates with the artist’s Nerikomi imaging. They are avaiable in’ white on white’ (pictured\, the six plates top and bottom)\, ‘blue on white’ and ‘green and red on white’ patterns. \nThe matte ‘white on white’ bowls and plates (plates on either end of the table setting\, all white bowls) are made from Feibleman’s own crafted clay\, a porcelain parian. These matte white Nerikomi plates and bowls are unique depending on how the artist cuts the patterns on the imaging block. The matte Nerikomi plates are spun and compressed by Feibleman and are made by special order. They can also be fabricated in grey or black.\nAll dinnerware is sturdy and dish washer safe. \nThe red and green tea bowls and sake cups (also pictured in the center of the table) are one of a kind pieces made by Feibleman with her signature porcelain clay – soft paste parian.
URL:https://www.artbeatmagazine.com/event/meet-masters-arline-fisch-hanne-behrens-rachel-thieves-mobilia-gallery-cambridge-ma/
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180323T180000
DTEND;TZID=America/Denver:20180323T210000
DTSTAMP:20260403T130024
CREATED:20180315T170519Z
LAST-MODIFIED:20180315T175830Z
UID:2005-1521828000-1521838800@www.artbeatmagazine.com
SUMMARY:Shadow Shift - Danielle Fatherly & Gary Oakley - Mirada Fine Art Gallery - Indian Hills\, CO
DESCRIPTION:Danielle Hatherley & Gary Oakley \n \nshadow SHIFT\n\nOpening Reception: Friday\, March 23rd\, 6-9pm  \n\nExhibition:  March 24th – April 29th\n\n\n\nLight and Shadow Merge in Perfect Harmony.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nGary Oakley\, ‘Purple Passages\,’ \nOil on Canvas\, 60″ x 60″\n\n\n\n\n\nTwo artists from different worlds with very different techniques will meet in an extraordinary artistic union on March 23rd.  Australian artist Danielle Hatherley (now a Boulder resident) and New Mexico artist Gary Oakley will combine their considerable talents in an exhibit hosted by Mirada Fine Art entitled ‘Shadow Shift.’ What makes these two artists a perfect pairing is their mastery at distilling a scene down to its essence. Carefully edited color palettes capture the instance light and shadow meet\, shift\, are united and merge in gleaming harmony in their contemporary landscapes.   “Danielle and Gary seemed like a perfect pairing to me\,” enthused gallery owner Steve Sonnen. “They evoke a similar feel\, a tranquil yet vibrant mood that epitomizes our Colorado lifestyle and surroundings.”\n\n\n\n\n\n\n\n\n\n\n\n\nDanielle Hatherley\, \n‘Fleeting Moment\, Central Park\,’\n Oil on Canvas\, 30″ x 48″\n\n\n\n\n\nThat perfect harmonious moment is what inspires (or as the artist herself admits\,’obsesses’) Danielle Hatherley to paint. Danielle grew up trying to capture the spectacular light of Sydney’s harbor and beaches. Recreating a scene\, however\, soon became not enough for this artist. Capturing the play of sunlight and shadow became her passion. Her move to Colorado with its stunning vistas and sunsets reinvigorated her work. Sunsets\, backlit forests and luminous abstracted landscapes leap from her radiant canvasses with unrivaled clarity and tone.\n\n\n\n\n\n\n\n\n\n\n\nGary Oakley\, ‘Drawing\,’\nOil on Canvas\, 18″ x 18″\n\n\n\n\n\nThe road artist Gary Oakley has taken in his artistic journey has been long and varied\, culminating in his current technique. Capturing the rich hues of the Western landscape within his canvases\, Oakley employs unexpected pops of metallic paint and texture. A Geology major with a Master’s in Psychology\, Gary began to listen to his ‘inner artist’ in the 1990s\, initially becoming a photographer\, and later turning his attention to painting. He continues to create compositions of a scene in his mind\, seeing the world as if through a camera’s lens and zooming in on essential elements. \n\nThe melding of these two artists’ visions are captured in ‘shadow SHIFT\,’ kicking off with an artists’ reception on Friday\, March 23rd from 6-9pm at Mirada Fine Art. \n\n\n\n\n\n\n\n\n\n\n\n\n\nDanielle Hatherley\, ‘Silver Lining\,’ Oil on Canvas\, 30″ x 48″\n\n\n\n\n\n\n\n\n\n\nWhere:\nMirada Fine Art\n5490 Parmalee Gulch Rd.\,\nIndian Hills\, CO 80454\n(minutes from Denver)\nwww.miradafineart.com
URL:https://www.artbeatmagazine.com/event/shadow-shift-danielle-fatherly-gary-oakley-mirada-fine-art-gallery/
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180322
DTEND;VALUE=DATE:20180323
DTSTAMP:20260403T130024
CREATED:20180319T153040Z
LAST-MODIFIED:20180319T153040Z
UID:2035-1521676800-1521763199@www.artbeatmagazine.com
SUMMARY:Impressed: Behind the Hedges - Art Gym - Denver\, CO
DESCRIPTION:Opening Reception: Thursday\, March 22\, 5-8pm \nArtist Talk with Juror: Friday\, March 23\, 4-8pm \nOn Display: March 22 to April 13\, 2018 \nGallery Hours: M-F 9am-6pm \n  \nThe exhibition displays a diverse range and exceptional use of printmaking processes including: photopolymer\, etching\, aquatint\, lithography\, linocut\, woodcut\, monotype\, screen print\, photogravure and mixed media. \nArtists exhibiting are: \nDeb Chaney\, Brian Cohen\, Skio Ding\, Darcy Edwin\, Elisa Gauthreaux\, Bryn Gleason\, Beka Goedde\, Brandy Gonzalez\, Allan Greenier\, Rachael Griffin\, Marco Hernandez\, Todd Herzberg\, Joanna Hoge\, Cary Hulbert\, Neah Kelly\, Joshua Kolbow\, Diego Lasansky\, Andrew Lawson\, Kate Leonard\, Charles Livingston\, Leon Loughridge\, Ramiro Rodriguez\, Mark Sisson\, Emily Sullivan Smith\, Ashley Taylor\, Tonja Torgerson\, Angelika Villagrana\, Dan Welden\, and James Wilson. \n\nCraig Zammiello is a Master Printer with over 40 years of experience in all areas of printmaking. He has worked 25 years at Universal Limited Art Editions\, where he collaborated with numerous artists\, notably Jasper Johns\, Elizabeth Murray\, Robert Rauschenberg\, James Rosenquist\, Kiki Smith and Terry Winters. Currently\, he is Master Printer at Two Palms and Adjunct Faculty within the School of the Arts at Columbia University. His prints can be found in the collections of the Royal Museum of Fine Arts in Antwerp\, Belgium\, Yale University Art Gallery\, and the Hoesch Museum in Düren\, Germany. \n\nArt Gym Denver \n1460 Leyden Street \nDenver\, CO 80220 \nwww.artgymdenver.com
URL:https://www.artbeatmagazine.com/event/impressed-behind-hedges-art-gym-denver-co/
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180319
DTEND;VALUE=DATE:20180320
DTSTAMP:20260403T130024
CREATED:20180315T172458Z
LAST-MODIFIED:20180315T172657Z
UID:2009-1521417600-1521503999@www.artbeatmagazine.com
SUMMARY:Save the Date! * July 26-29\, 2018 Art Aspen
DESCRIPTION:Save the Date!\nArt Palm Springs | February 14-17\, 2019\nArt Aspen | July 26-29\, 2018\nSOFA CHICAGO | November 1-4\, 2018\nFORM Miami | December 2018
URL:https://www.artbeatmagazine.com/event/save-date-july-26-29-2018-art-aspen/
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180317T160000
DTEND;TZID=America/Denver:20180317T183000
DTSTAMP:20260403T130024
CREATED:20180315T180337Z
LAST-MODIFIED:20180315T180337Z
UID:2022-1521302400-1521311400@www.artbeatmagazine.com
SUMMARY:"In Love With This Earth" - Diana Stetson - Art and Soul Gallery - Boulder\, CO
DESCRIPTION:In Love With This Earth\nNew works by Diana Stetson\n\nPlease join us\nfor a tour of the show and artist talk\nSaturday\, March 17th at 4pm \nPaintings\, monotypes\, and giclées will fill\nArt and Soul Gallery\nfrom March 9th – April 29th\n2018 \nArt and Soul Gallery\n1615 Pearl Street\nBoulder\, CO 80304\nwww.artandsoulboulder.com\n————— \nwww.DianaStetson.com
URL:https://www.artbeatmagazine.com/event/love-earth-diana-stetson-art-soul-gallery-boulder-co/
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180316T180000
DTEND;TZID=America/Denver:20180316T200000
DTSTAMP:20260403T130024
CREATED:20180315T165735Z
LAST-MODIFIED:20180315T165735Z
UID:2002-1521223200-1521230400@www.artbeatmagazine.com
SUMMARY:Eden Keil - "Whispers" @ Michael Warren Contemporary
DESCRIPTION:Whispers \nnew works by Eden Keil \nMarch 6\, 2018 – March 31\, 2018 \nRange 15 by Eden Keil\, 16×32\, acrylic on canvas\, $1350\nReceptions: \nOpening Reception with artist discussion\, Friday\, March 9 (6-8pm) \nThird Friday Art Reception\, March 16 (6-8pm) \n\nMike McClung \n760 Santa Fe Drive \nDenver\, CO 80204 \n303-635-6255 (gallery) \n303-667-2447 (mobile) \n\n   mike@michaelwarrencontemporary.com \n   www.michaelwarrencontemporary.com
URL:https://www.artbeatmagazine.com/event/eden-keil-whispers-michael-warren-contemporary/
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180316T170000
DTEND;TZID=America/Denver:20180316T210000
DTSTAMP:20260403T130024
CREATED:20180315T165249Z
LAST-MODIFIED:20180315T175902Z
UID:1999-1521219600-1521234000@www.artbeatmagazine.com
SUMMARY:Vantage Points - Walker Fine Art - Denver\, CO
DESCRIPTION:
URL:https://www.artbeatmagazine.com/event/vantage-points-walker-fine-art/
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180315
DTEND;VALUE=DATE:20180316
DTSTAMP:20260403T130024
CREATED:20180315T164348Z
LAST-MODIFIED:20180315T164706Z
UID:1994-1521072000-1521158399@www.artbeatmagazine.com
SUMMARY:Kate Gilmore "Morning Rage" - ASPECT / RATIO Projects Gallery
DESCRIPTION:MORNING RAGE: \nKATE GILMORE \n02.23.2018 – 04.07.2018 \n~ \n\n\n\nAspect/Ratio is pleased to present Morning Rage\, the first Chicago solo exhibition for artist Kate Gilmore. \nMorning Rage will introduce new sculptural works\, as well as the single channel video Beat It. This video was part of an installation and performance created for the H & R Block Space in Kansas City\, Missouri. Michael Jackson’s famous 80’s hit song title is appropriated here\, while the video unfolds through an oculus in the sculpture taken from a fixed camera stationed overhead. Throughout the video\, the walls of the installation are being dismantled and reconfigured to reveal a series of stenciled text that reads: ‘beat it\,’ repeated over and over. \nThrough the use of repetition and performance\, much of Gilmore’s practice demonstrates a resolute transformative process that comes out of destruction. Destruction and dexterity are arsenal for the artist who consistently goes well beyond the limitations of what material is generally prepared to endure. It is with this prowess and fervor that fuel her latest sculptural works. Highly lacquered metal cubes are hammered continuously\, creating scars and dismantling their otherwise polished appearance. \nKate Gilmore is a New York multimedia based artist and Associate Professor of Art and Design at Purchase College at SUNY Purchase. Gilmore received her MFA from the School of Visual Arts and Bachelors from Bates College. Her work has been shown at numerous institutions including: Museum of Modern Art\, MCA Chicago\, San Francisco Museum of Modern Art\, Brooklyn Museum\, ICA Philadelphia and The Rose Art Museum. Notable exhibitions and awards include: The Art Prize 2015; the Whitney Biennial 2010; The Moscow Biennial\, Moscow; and PS1 Greater New York 2005 & 2010. Gilmore’s work is included in many public institutional collections: Museum of Modern Art\, New York; Brooklyn Museum\, Brooklyn\, New York; Whitney Museum of American Art\, New York\, NY; Museum of Fine Arts\, Boston\, Massachusetts; San Francisco Museum of Modern Art\, San Francisco\, California; Rose Art Museum\, Waltham\, Massachusetts; Indianapolis Museum of Art\, Indiana\, Indianapolis; and Museum of Contemporary Art\, Chicago\, Illinois. \n\n\n\nASPECT / RATIO \n864 N. Ashland Avenue\nChicago\, IL 60622\n\n\n\n\n\n(773) 206-7354\ninfo@aspectratioprojects.com\nwww.aspectratioprojects.com\nWed. – Sat.\, 11am-6pm\nand by appointment
URL:https://www.artbeatmagazine.com/event/kate-gilmore-morning-rage-aspect-ratio-projects-gallery/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180315
DTEND;VALUE=DATE:20180316
DTSTAMP:20260403T130024
CREATED:20180315T163939Z
LAST-MODIFIED:20180315T164738Z
UID:1992-1521072000-1521158399@www.artbeatmagazine.com
SUMMARY:Shane Huffman - Photography - 65Grand Gallery - Chicago
DESCRIPTION:Shane Huffman\nThe Mediums of Photography at play on Material as Apparatus as Man as HOL\, or The Fluctuating Fears of what the Law of Conservation of Energy Implies\n\n\n\n\n\nThrough March 24\, 2018\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n  \n\n\n\n3252 W. North Avenue\nChicago\, IL 60647\n\n\n\n\n\n(312) 719-4325\ninfo@65grand.com\nwww.65grand.com\nThurs.\, 6-9pm; Fri.\, Sat.; 12-6pm\n\n\n\n 
URL:https://www.artbeatmagazine.com/event/shane-huffman-photography-65grand-gallery-chicago/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180315
DTEND;VALUE=DATE:20180316
DTSTAMP:20260403T130024
CREATED:20180315T164637Z
LAST-MODIFIED:20180315T164637Z
UID:1996-1521072000-1521158399@www.artbeatmagazine.com
SUMMARY:Beverly Fishman "Chemical Sublime" * Kavi Gupta Gallery
DESCRIPTION:Beverly Fishman\, CHEMICAL SUBLIME\n02.24.2018 — 04.28.2018 \n\n\n\n835 W. Washington Boulevard\nChicago\, IL 60607\n\n\n\n\n\n(312) 432-0708\ninfo@kavigupta.com\nwww.kavigupta.com\nTues. – Fri.\, 10am-6pm; Sat\, 11am-5pm\n\n\n\nKavi Gupta is pleased to present CHEMICAL SUBLIME\, a solo exhibition of original work by Beverly Fishman.  \nCombining the handmade with the industrial\, Fishman employs a variety of techniques to explore technological\, scientific\, and biological systems of perception and representation\, instigating constructive conversations about the ways people see their bodies and minds\, and construct their identities. Her most illustrious bodies of work engage with the visual language of the medical industrial complex. For example\, her highly-polished Pill reliefs utilize iconic pharmaceutical forms as the basis for seemingly abstract compositions that radiate with color. Her brilliantly complex Dividosepaintings appropriate the unsettling\, multilayered\, linear aesthetic of medical imaging technologies such as EEG and EKG machines\, provoking levels of optical fascination capable of eliciting physiological responses from viewers. \nThough seemingly direct\, Fishman’s work is daringly open. It poetically kindles the most pressing issues of our time: how humanity sees itself and allows itself to be seen; the extent to which technology alters our perception of ourselves; the choices we face whether to alter our reality or to alter our experience of it. Equally important to its meaning are its formal aspects: its juxtaposition of colors and patterns; its evocative art historical references; its oscillation between abstraction and representation. Of constant primacy is the work’s undeniable exactitude of craft\, which elevates its physical presence to heights equal to its enigmatic conceptual depth. \nFishman has relentlessly sought out new materials and processes in order to realize her evolving vision. That search has occasionally yielded opportunities to pioneer new production techniques\, always in service to the concepts she is exploring. Her materials list has included traditional supports such as wood\, paper\, blown glass and aluminum\, as well as more unconventional elements like cast resin\, mirrored Plexiglass\, powder-coated metal and phosphorescent pigments. She also frequently uses mediums like chrome and urethane automotive paint that speak in conversation with the legacy of the Detroit area\, where she has lived and worked as the Artist-in-Residence and Head of the Painting Department of the Cranbrook Academy of Art since 1992. \nSince earning her MFA from Yale in 1980\, Fishman has received multiple prestigious awards\, including a John Simon Guggenheim Memorial Foundation Fellowship\, the Louis Comfort Tiffany Foundation Award\, and an NEA Fellowship Grant. Her work has been written about extensively in the press\, including in The New York Times\, Art21 Magazine\, Hyperallergic\, Art Critical and Juxtapose. Her recent solo exhibitions include DOSE\, curated by Nick Cave\, at the CUE Art Foundation\, New York\, NY\, Pill Spill\, at the Detroit Institute of Art\, Detroit\, MI\, and Pharmako\, at Galerie Richard\, Paris\, France. \nWork by Fishman is included in multiple private and institutional collections\, including that of the Miami Art Museum\, the MacArthur Foundation\, Alfred Taubman\, the Detroit Institute of Arts\, the Columbus Museum of Art\, The Kresge Art Museum\, and the Istanbul Art Centre.
URL:https://www.artbeatmagazine.com/event/beverly-fishman-chemical-sublime-kavi-gupta-gallery/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180314
DTEND;VALUE=DATE:20180315
DTSTAMP:20260403T130024
CREATED:20180315T175747Z
LAST-MODIFIED:20180315T175747Z
UID:2018-1520985600-1521071999@www.artbeatmagazine.com
SUMMARY:You Are Here: Gregory Block Solo Exhibition at Sugarcube - Presented by Gallery 1261 - Denver\, CO
DESCRIPTION:You Are Here:\nGregory Block Solo Exhibition\nMarch 14th – May 13th\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nModern humans are pretty good at getting from point A to point B\, especially with our phones to tell us where to go and how to get there.  But we are here.  Where’s that? \nSometimes it doesn’t hurt to get the bigger picture; to step back and look at things in context.  This series of maps\, constructed from aluminum cans and carpet tacks\, firmly anchors the viewer in the universe\, the Milky Way Galaxy\, the solar system\, and on earth\, and hones in on our very real location amid the hustle and bustle of everyday life.  It’s a tourist guide\, an explorer’s tool\, an evacuation plan; a study of civil engineering\, geography\, astrophysics and the boundaries of human intelligence.  But more than anything\, it’s a reminder that regardless of where we’re going or where we’re coming from\, we are always here. \nThis exhibition will be on display daily at the SugarCube Building at 1555 Blake St.\nView map here \nOpening reception: Wednesday\, March 14th 6:30-8:30pm \nSugarcube viewing hours:\nM-F: 7:30 am – 10:00 pm\nSaturday: 9:00 am – 10:00 pm\nSunday: 9:00 am – 6:00 pm\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nGregory Block\nColorado\nAluminum cans and acrylic\, 48 x 71″\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nGregory Block\nMany Moons\nScorched aluminum cans and mixed media\, 32 x 48″\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nGregory Block\nMultiverse 1\nScorched aluminum cans and mixed media\, 24 x 20″
URL:https://www.artbeatmagazine.com/event/gregory-block-solo-exhibition-sugarcube-presented-gallery-1261-denver-co/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180310T170000
DTEND;TZID=America/Denver:20180310T200000
DTSTAMP:20260403T130024
CREATED:20180315T163732Z
LAST-MODIFIED:20180315T163732Z
UID:1989-1520701200-1520712000@www.artbeatmagazine.com
SUMMARY:Doug Stapleton  "Atlas of the Heavens"  *  In the Project Room:  Jeffrey Michael Austin  "What We Can Handle" - Bert Green Fine Art
DESCRIPTION:Exhibition run: March 10 – April 21\, 2018 \n\n\n\nDoug Stapleton’s collages employ extreme precision\, keen composition\, and idiosyncratic source materials which address identity\, history\, and ancestral themes. His interest in traditional illustrative and reproduction techniques give his work gravity and a sense of solidity.\n\n\n\n\n\nJeffrey Michael Austin has a fascination with the phenomenon of reflection. He works with materials that imitate and amplify reflective qualities. His simulacra of ordinary objects employ illusory effects to mediate and obscure reflectivity. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\nBert Green Fine Art \n8 S. Michigan Avenue\, Suite 620\nChicago\, IL 60603\n\n\n\n\n\n(312) 434-7544\ninquiry@bgfa.us\nwww.bgfa.us\nFri. – Sat.\, 12-5pm\nand by appointment
URL:https://www.artbeatmagazine.com/event/doug-stapleton-atlas-heavens-project-room-jeffrey-michael-austin-can-handle-bert-green-fine-art/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180309
DTEND;VALUE=DATE:20180310
DTSTAMP:20260403T130024
CREATED:20180319T173217Z
LAST-MODIFIED:20180319T173448Z
UID:2047-1520553600-1520639999@www.artbeatmagazine.com
SUMMARY:Adriana Corral - Unearthed: Desenterrado - Socorro\, TX & El Paso\, Juárez
DESCRIPTION: Black Cube Sheds Light on Shadowed Part of\nAmerican History\, U.S.-Mexico Border Control \n\n\nMarch 9 – June 9\, 2018 \n\n\nLocated in Socorro\, Texas \n\n\nA 60-foot flagpole\, hoisting a large-scale white flag adorned with bald and golden eagles\, will serve as counter-monument\, acknowledging a facility that processed Mexican workers into the U.S. between 1951-1964. \nAdriana Corral – Unearthed – Desenterrado\nFebruary 27\, 2018 – Black Cube’s latest exhibition\, Unearthed: Desenterrado\, is an outdoor\, large-scale artwork by Texas-based artist Adriana Corral. Located within the historic grounds of the Rio Vista Farm in Socorro\, Texas\, the installation—featuring a solitary 60-foot flagpole hoisting an enormous white\, cotton flag—speaks to the deeply rooted history between the U.S. and Mexico. Embroidered on either side of the flag is the illustration of a “Mexican” golden eagle and an “American” bald eagle\, each emblematic of their respective nation’s patriotism. \nVisible from the El Paso–Juárez horizon from March 9 until June\, the flag stands as a counter-monument for the Rio Vista Farm\, a facility most notably recognized as a key-processing center for the Bracero Program. The Bracero Program\, which was established by the federal government during World War II\, is known as one of the largest foreign worker programs in U.S. history. According to finding from the National Trust for Historic Preservation\, many people have described the Bracero Program as a period of “legalized slavery” in which Mexican workers “were met with medical and psychological examinations\, stripped of their clothing\, organized into lines\, and fumigated with DDT before they could be evaluated by farming contractors.” \nCortney Lane Stell\, Black Cube’s Executive Director + Chief Curator\, believes that “by calling attention to this overlooked park of American history\, Corral’s work endeavors to stand as an acknowledgement of unknown human rights violations\, as well as to inspire deeper conversations about our history —and future—of border control along the U.S.–Mexico border.” \n“This project emphasizes the importance of recognizing and confronting the voids within our American history\,” Corral adds. \nAdriana Corral – Unearthed – Desenterrado\nUnearthed: Desenterrado will be on display at the Rio Vista Center until June. During the three-month exhibition\, Corral’s flag will become tattered and worn due to inclement weather. After its display in Socorro\, the flag will be exhibited in museums and cultural institutions across the country. \nAbout Adriana Corral\nAdriana Corral is based in San Antonio\, Texas. Her installations\, performances\, and sculptures embody universal themes of loss\, human rights violations\, concealment\, and memory. Corral employs a rigorous researched based practice where anthropologists\, writers\, journalists\, gender scholars\, human rights attorneys\, and victims provide her with the foundation for her works. \nCorral received her Master of Fine Arts from The University of Texas at Austin and completed her Bachelor of Fine Arts at the University of Texas at El Paso. In 2016\, Corral was invited to attend the 106th session of the Working Group on Enforced and Involuntary Disappearances at the United Nations in Geneva\, Switzerland. She was also selected for the Joan Mitchell Foundation Emerging Artist Grant and was named one of 18 Artists to Watch by Modern Painters. She recently attended the International Artist-in-Residence at Artpace and the Künstlerhaus Bethanien Residency in Berlin\, Germany. \nAbout Black Cube\nBlack Cube is a nonprofit\, nomadic contemporary art museum. At Black Cube\, we see ourselves as an unconventional museum pursuing the most effective ways to engage new audiences while supporting artists’ sustainability. Without the traditional boundaries of a physical building\, Black Cube is experienced primarily through pop-up art exhibitions conceived by our artist fellows. Black Cube was founded by artist and philanthropist\, Laura Merage. Find out more at www.blackcube.art.
URL:https://www.artbeatmagazine.com/event/2047/
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180201T170000
DTEND;TZID=America/Denver:20180201T200000
DTSTAMP:20260403T130024
CREATED:20180125T213903Z
LAST-MODIFIED:20180125T213940Z
UID:1922-1517504400-1517515200@www.artbeatmagazine.com
SUMMARY:Mask(ed) - an invitational exhibition curated by Kathleen Sherman
DESCRIPTION:Opening Reception – Mask(ed) – an invitational exhibition curated by Kathleen Sherman \nFebruary 1\, 2018\, 5-8pm \nMask(ed) sheds light on masks of all forms–from the sculptural forms artists create\, to the invisible masks we wear as part of being human. “The show explores the ideas and metaphor masks embody by presenting a range of works from a variety of artists\,” says curator and sculptor Kathleen Sherman\, who invited nine artists to present works. Join us for great art\, live music & performance\, and food & drink!! \nExhibiting artists are Kathleen Sherman\, David Ocelotl Garcia\, Tracy and Adam Teitelbaum\, Karole Sharpe\, Daniel Crosier\, Adolfo Romero\, Wayne Salge\, Phil Eastwood and Cal Duran. \nOpening Reception: February 1\, 5-8pm\nOn display: February 1-24\, 2018 \nArt Gym Denver \n1460 Leyden Street \nDenver\, CO 80220
URL:https://www.artbeatmagazine.com/event/masked-invitational-exhibition-curated-kathleen-sherman/
ATTACH;FMTTYPE=image/jpeg:https://www.artbeatmagazine.com/wp-content/uploads/2018/01/Masked-2.18-Email.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180125T110000
DTEND;TZID=America/Denver:20180128T190000
DTSTAMP:20260403T130024
CREATED:20180126T004736Z
LAST-MODIFIED:20180126T004736Z
UID:1933-1516878000-1517166000@www.artbeatmagazine.com
SUMMARY:Art Los Angeles Contemporary 2018
DESCRIPTION:The ninth edition of the fair will feature top established and emerging galleries from around the world\, with a strong focus on Los Angeles galleries. Participants presented some of the most dynamic recent works from their roster of represented artists\, offering an informed view on contemporary art making. \n\nLocation\nThe Barker Hangar\n3021 Airport Avenue\nSanta Monica\, CA 90405 \n\n\nHours\nFriday\, January 26\, 11am–7pm\nSaturday\, January 27\, 11am–7pm\nSunday\, January 28\, 11am–6pm \n\n\nOpening Night 2018\nPublic Reception\nThursday\, January 25\, 7–9pm\nTickets Available Online
URL:https://www.artbeatmagazine.com/event/art-los-angeles-contemporary-2018/
LOCATION:The Barker Hanger
ATTACH;FMTTYPE=image/png:https://www.artbeatmagazine.com/wp-content/uploads/2018/01/ALAC_Logo_600x164_BLACK.png
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20180111T110000
DTEND;TZID=America/Denver:20180115T190000
DTSTAMP:20260403T130024
CREATED:20180126T004019Z
LAST-MODIFIED:20180126T004019Z
UID:1929-1515668400-1516042800@www.artbeatmagazine.com
SUMMARY:LA Art Show 2018
DESCRIPTION:Los Angeles has emerged as a global epicenter of art & culture\, with a distinct\, interwoven multi-cultural influence unique to the city. Diversity is our strength and art is most impactful when it includes or transcends all borders.  As LA rises as the world-class destination for art\, the LA Art Show continues to lead the way with innovative programming and one-of-a-kind experiences for an expanding collecting audience.   \nTo celebrate our diversity as a city and a fair\, we’re engaging and working with local and international museum curators and galleries to develop innovative programming\, engaging dialogs and cutting-edge exhibitions with an ecumenical resonance.  \nOPENING NIGHT PREMIERE:\nWednesday\, January 10\, 2018 \nSHOW HOURS:\nThursday\, January 11\, 2018 | 11am – 7pm\nFriday\, January 12\, 2018 | 11am – 7pm\nSaturday\, January 13\, 2018 | 11am – 7pm\nSunday\, January 14\, 2018 | 11am – 5pm \nLOS ANGELES CONVENTION CENTER – SOUTH HALL\n1201 South Figueroa Street Los Angeles\, CA 90015 \nTICKETS\n$30 – $250\nhttps://www.eventbrite.com/e/la-art-show-2018-tickets-39739173939
URL:https://www.artbeatmagazine.com/event/la-art-show-2018/
ATTACH;FMTTYPE=image/png:https://www.artbeatmagazine.com/wp-content/uploads/2018/01/LA_ART_LOGO_BLACK-copy.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20171020T190000
DTEND;TZID=America/Denver:20171021T020000
DTSTAMP:20260403T130024
CREATED:20171011T004921Z
LAST-MODIFIED:20171011T004953Z
UID:1682-1508526000-1508551200@www.artbeatmagazine.com
SUMMARY:Colorado Arts Circuit - Exhilarating Night of Art\, Cars & Supporting a Cause
DESCRIPTION:The 2017 Colorado Arts Circuit is an exhilarating night of art\, luxury cars\, music and non-stop entertainment at the iconic Vehicle Vault in Parker Colorado. \nThe main highlight is the live auction of  original paintings produced by some of the world’s top artists and inspired by the motor sports world of Formula 1\, Le Mans and Indycar racing followed by exhilarating musical performances by high impact international Musical Performers. Adding to the glamour will be a fabulous collection of over 30 rare and exotic automobiles from all over the world. This star studded event will attract Colorado’s ultra-elite\, to create the most sought-after and glamorous party experience of 2017. \nAll Guests will enjoy complementary premium champagne\, wine\, spirits and beer as well as assorted catered canapé \nProceeds from the 2017 Colorado Arts Circuit will go to The National Sports Center For The Disabled \nPurchase your tickets HERE: use code: artbeat to receive a 20% discount
URL:https://www.artbeatmagazine.com/event/colorado-arts-circuit-exhilarating-night-art-cars-supporting-cause/
ATTACH;FMTTYPE=image/jpeg:https://www.artbeatmagazine.com/wp-content/uploads/2017/10/CAC-Image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20170923T150000
DTEND;TZID=America/Denver:20170923T230000
DTSTAMP:20260403T130024
CREATED:20170921T143517Z
LAST-MODIFIED:20170921T143644Z
UID:1551-1506178800-1506207600@www.artbeatmagazine.com
SUMMARY:Last Days of Summer Bash - FREE event - Fun for the Entire Family
DESCRIPTION:Fun for entire family – Performance Artist Erik Rieger kicks off the evenings festivities at 6:30pm with a Sparktacular display of artistry. The Legendary Hazel Miller pleases the crowds with her magical voice at 7pm. Join The Summit Steakhouse to celebrate the Last Days of Summer Bash.
URL:https://www.artbeatmagazine.com/event/last-days-summer-bash-free-event-fun-entire-family/
LOCATION:The Summit Steakhouse\, 2700 S. Havana Street\, Aurora\, CO\, 80014\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.artbeatmagazine.com/wp-content/uploads/2017/09/Summit-Event-1a.jpg
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END:VCALENDAR