Imagine yourself, stretched out on the couch among comfy pillows and slathered in cats and a dog. You are listening to the syncopated rhythms of big band jazz (strictly instrumental) leaning over a digital image
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Tempe Arizona’s Grey Box Collective isn’t an ordinary dance troupe. They grapple with real-world issues, the titles of their performances including themes such as Emp_t_y: Trauma. Fatigue. Burnout. Or Structural War Zone: Body. Space. Power. GBC’s overall
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Like looking through the glass of a rain drenched window, Samantha Paris Estes’ work evokes the sublime landscape of a new frontier. Her story isn’t unlike many other artists who are drawn to the artistic
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Right Livelihood has many precepts but the basic tenet espouses the expression of Life Purpose through honest occupation and reverence toward fellow humans and the natural world. According to various religious and ethical articles, Right
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Stippling, similar to but different than pointillism, seems mind-numbingly laborious to me. Each little dot, thick or thin, combines with a million other dots to make an image, I get that. But of this illustrious
Colorado muralist and fabricator Tom Ward is transitioning at the moment. Two decades spent illustrating for newsprint after college and 15 more turning the mundane into something awe inspiring has led Ward to “an experimental phase
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United States historian and presidential descendent Henry Brooks Adams (1838-1918) once said, “Teachers affect eternity; no one can tell where their influence stops.” This is why ArtBeat Magazine is pleased to introduce ceramics instructor Christy